It seems a bit awkward to begin blogging again after a bit of a hiatus. So much has happened to us and to the garden that it is hard to know where to start. So I'll just throw up some pictures of my garden this week and see where this leads us.
The Forsythia has past and as you can see, my PJM rhody is droping its blossoms.
Aren't bleeding hearts the most amazing construction? The dwarf deutzia next to it is also a stunner in bloom. Next week for that one maybe.
I love the colors of new spring growth on the spireas.
The magnolias are going too.....
Retirement has given me a chance this year to really watch the parade of blooms and has left me with a true sense of awe. For decades I have called April 15 to July 15 the 100 days of hell because work was so demanding during that time. I think I literally missed the magic of the season. Or, perhaps, I am just getting older and am trying to spend more time being in the moment. In any case, spring is pretty fabulous around here. And there's more to come!
Friday, May 02, 2008
Tuesday, April 08, 2008
Holiday Time
Hi all, we are currently out of the country (in the Atlantic) and have limited blogging options. I will return on April 16th. Until then, be well.
Kathryn
Tuesday, April 01, 2008
Garden Gloves
There is a bit of a discussion going on in blogs about whether we use gloves or not when we garden. I am a big glove fan. I've been using the same type for many years - my local wholesaler keeps them stocked. I like them because they breathe but have a tough finger protection. But as you may see in the photo, I am one of those gardeners who takes off one glove to do fine work like staking plants. This discussion is continued at Artist's Garden, Crafty Gardener and perhaps
a few others. Are you a glover?
a few others. Are you a glover?
Friday, March 28, 2008
GBBC: Second Nature review
I was delighted to re-read Second Nature: A Gardener’s Education for the March selection of the Garden Bloggers’ Book Club. (Thanks Carol, over at May Dreams Garden). I read Second Nature for the first time back in the early 1990’s. I loved it, bought several copies for gifts over the years and had to buy a paperback copy for this month’s read. It was well worth it. The book has held up over time and continues to offer thoughtful observations.
Pollan writes of his development as a gardener. He also writes about why we find gardening so compelling an activity. I enjoyed re-reading tales of his grandfather’s great success as a gardener and his father’s near contempt of anything outdoors. His struggles to “control” animal behavior in and around his garden were hugely entertaining. But these tales are not at the heart of my current admiration for the book. What caused me pause this time around, was the chapter titled “The Idea of a Garden” where he tries to give shape to a garden ethic, one that helps us understand why we garden and what is our relationship to nature. Here, the mature thoughts of a man who has spent a lifetime in gardens AND libraries, are revealed to be unsentimental and basic in a way that says “this is the way it is”. Pollan’s garden ethic in part declares:
That nature is local. The gardener needs to understand this fact if he is going to successfully compete with nature which could care less whether human beings exist or not.
The garden ethic is anthropocentric – as humans, we probably can’t move beyond that bias.
As Pollan writes succinctly “The gardener learns to play the hand he’s dealt”.
The gardener has a running battle with nature that he probably can’t and perhaps shouldn't win. (no need to kill all the bugs after all)
The garden ethic is not only about humans vs. nature. Culture also adds influences on how humans interact with nature.
Success is never guaranteed.
Pollan uses the Cathedral Pines restoration story as an example of the wilderness ethic (Nature Conservancy) colliding with municipal interests. He suggests that a garden ethic approach might have resulted in a better result. (It's a long discussion, read it to see what he is talking about. It does get at the difficulties inherent in a restoration/recovery project.)
Second Nature by Michael Pollan is high on my recommended list. In fact, all his books are terrific. I am waiting for the next one!
Thursday, March 27, 2008
Plant Purchases Gone Wild!
This week I visited my favorite wholesale nursery with the intent of buying some annuals. I did pick up a few flats of pansies and primroses but.....
I also just had to have these beauties......
I bought 3 campanulas including....
Campanula 'Sarastros' which has lovely yellow-green leaves.....
also zizia which is a new plant for me. It grows in damp woodlands and has sweet umbel flower heads
I also bought ....
a stunning hellebore called 'Swirling Skirt' series, and....
several geraniums including this one G. pratense 'Victor Reiter'. I can't wait to get them settled in.
My garden is really a horticultural zoo. Over the years, I have tried different plants to see how they grow. I want to know how hardy they are and if they are invasive. After they have passed what I call 'studied neglect' I may purchase more or incorporate the plant into a garden design. I'll keep you posted on this crop of newbies especially the zizia which might have the potential for getting out of control.
Friday, March 21, 2008
Thursday, March 20, 2008
Springtime through Botanical Prints
March is roaring like a lion outdoors so I am trying to bring spring indoors by visiting one of my favorite websites Panteek prints. I am crazy about all types of prints particularly those that advance my understanding of garden history and culture. I've posted a very narrow selection of botanicals printed between 1825 and 1904. All are available for sale at Panteek but my budget allows for browsing only! The Primula above was drawn by Jane Loudon (1807-1858) in The Ladies Flower Garden of Ornamental Perennials in 1843-9. The prints in her books were hand colored by various technicians and thus vary in quality. This one is lovely.
The Panteek write-up states that Benjamin Maund in his 13 volumes of this periodical, wanted "in the spirit so very true to the era, was to to create a work combining accurate scientific instruction with an occasional appeal to the imagination and to the moral and religious feelings". A Primula verticillata is depicted in the lower left-hand corner of the plate. Primula verticillata was introduced in England in 1825 but was collected in Yemen. An improved variety was first seen in Kew's collection in 1873 as Primula verticillata var. sinensis. It is nick-named the Abyssinian primrose.
Thomas Moore, curator of the Botanic Garden of Chelsea published The Gardener's Magazine for a few years in the 1850's Panteek states that the earlier publications of Moore's magazine contained quality prints of "a singular beauty and grace". Jane Loudon writes in her volume Ladies Companion to the Flower Garden that the p. auricula : is a native of the Alps of Switzerland, where its flowers are commonly yellow and very fragrant; it may be found in abundance on the roadside of the highest part of the pass of the Simplon, growing with the different Saxifrages, and not far from Rhododendron hirsutum."
I am unfamiliar with the printing process called "pochoir". Panteek writes that pochoir process involves "single layers of color ... added by hand to a lithograph using a stencil, in a precursor of the silk screening technique". Here, Foords drawings were transformed into prints by E. Greningaire of Paris. Not much is known about Foord, a Scottish artist. Panteek writes that Foord intended her drawings to be teaching templates for students of the Arts and Crafts movement.
Drawn by M. P. Vemeuil and published by Eugene Gresset, this print represents the genre of Art Nouveau French pochoir prints. I love the evolving interpretation of nature represented in these last two images. They've moved beyond attempts to realistically represent nature to the interpretation of nature in art.
I recommend a visit to Panteek when gardening outside is unpleasant! You'll have a wonderful visit.
March is roaring like a lion outdoors so I am trying to bring spring indoors by visiting one of my favorite websites Panteek prints. I am crazy about all types of prints particularly those that advance my understanding of garden history and culture. I've posted a very narrow selection of botanicals printed between 1825 and 1904. All are available for sale at Panteek but my budget allows for browsing only! The Primula above was drawn by Jane Loudon (1807-1858) in The Ladies Flower Garden of Ornamental Perennials in 1843-9. The prints in her books were hand colored by various technicians and thus vary in quality. This one is lovely.
The Panteek write-up states that Benjamin Maund in his 13 volumes of this periodical, wanted "in the spirit so very true to the era, was to to create a work combining accurate scientific instruction with an occasional appeal to the imagination and to the moral and religious feelings". A Primula verticillata is depicted in the lower left-hand corner of the plate. Primula verticillata was introduced in England in 1825 but was collected in Yemen. An improved variety was first seen in Kew's collection in 1873 as Primula verticillata var. sinensis. It is nick-named the Abyssinian primrose.
Thomas Moore, curator of the Botanic Garden of Chelsea published The Gardener's Magazine for a few years in the 1850's Panteek states that the earlier publications of Moore's magazine contained quality prints of "a singular beauty and grace". Jane Loudon writes in her volume Ladies Companion to the Flower Garden that the p. auricula : is a native of the Alps of Switzerland, where its flowers are commonly yellow and very fragrant; it may be found in abundance on the roadside of the highest part of the pass of the Simplon, growing with the different Saxifrages, and not far from Rhododendron hirsutum."
I am unfamiliar with the printing process called "pochoir". Panteek writes that pochoir process involves "single layers of color ... added by hand to a lithograph using a stencil, in a precursor of the silk screening technique". Here, Foords drawings were transformed into prints by E. Greningaire of Paris. Not much is known about Foord, a Scottish artist. Panteek writes that Foord intended her drawings to be teaching templates for students of the Arts and Crafts movement.
Drawn by M. P. Vemeuil and published by Eugene Gresset, this print represents the genre of Art Nouveau French pochoir prints. I love the evolving interpretation of nature represented in these last two images. They've moved beyond attempts to realistically represent nature to the interpretation of nature in art.
I recommend a visit to Panteek when gardening outside is unpleasant! You'll have a wonderful visit.
Saturday, March 15, 2008
I admit that I took these pictures yesterday. Rain was expected for this morning and soggy it is! I faced a bit of a challenge this month getting photos of of plants in my garden that are in bloom. My garden is long on potential but a few subtle plants offered a hint of blossom. First I included this snap of a hardy cyclamen only because I am always surprised to see it return.
My skimmia japonica is showing berrys and can't be counted in the GBBD but it is pretty this time of year.
I planted this sarcococca last year; it's a young plant but it is in bloom!
My helleborus foetidus should have bloomed by now. Its buds are waiting for a warm suuny day.
Finally, one of my andromedas (cultivar unknown) has a single open bud, in the center of the photo.
I enjoyed taking the time to savor these subtle beauties as I await more flashy blooms next month.
Happy Garden Bloggers' Bloom Day all. I look forward to visiting your gardens today.
Kathryn J.
Friday, March 07, 2008
Dooryards, Chipping Camden
Yesterday, I dropped my pruning equipment off at the local mower shop for sharpening. This left me without tools to work in my garden this morning. So I browsed through some pictures that my daughter and I took while on a trip to England last June. We concentrated on the Cotswolds andWhiltshire area seeking out gardens and monasteries. I have not traveled much in my life and rarely in June - a prime work month for decades. So in my retirement, I am trying to visit gardens that I have loved in pictures and history (Stourhead, Hidcote, Alhambra and Generalife) as my budget allows. On the way surprise gardens pop up naturally, as they did in Chipping Camden, England. Well travelled gardeners may say that Chipping Camden is a cliche of the Cotswolds but I found it charming and utterly alien.
These are just some of dooryards on Chipping Camden's main street. The age and history that accompanies these gardens is the stuff of legends and dreams. The health of the plant material is the stuff of envy. I could have stayed all summer.
Saturday, March 01, 2008
Who would believe it. We've got turkeys in our yard for the first time ever! Our home hosts a number of different types of wildlife that live in our woods: owls, feral cats, racoons, rats, the occaisional fox along with various song birds and small rodents. We even have great blue herons that swoop down to catch the fish in our pond. But never turkeys. This is Long Island folks, around 40 miles from New York City! Apparently these turkeys are not escapees from captivity. Their origin is unknown. It is true that a local man decided to restore the wild turkey to Huntington. He apparently released 15 or so turkeys, on Thanksgiving day in our neighborhood. After much local uproar, he collected them and is raising them himself. This batch of seven birds is apparently not part of the original group. Personally, I am not buying this explanation. Our local town animal control officers want nothing to do with my turkeys - they are free to roam as their nature dictates.
What exactly is their nature and what are they likely to do in the future? Those questions sent me scuttling to Amazon.com for "The Wild Turkey: Biology and Management" edited by James Dickson and published by the National Wild Turkey Federation. (NWTF has a very informative website). The book is facinating and I now know more than you may want to hear about turkeys. But some facts have given me hope that I will not have to garden around turkeys this spring.
1. Turkeys only travel in mixed male/female groups in the winter. So my group of three males and four females foraging on acorns in my yard are pretty typical.
2. Turkeys mate promiscuously from late February to April, after which the females go off by themselves and nest. This may explain why I haven't seen the group in over a week.
3. Turkey eggs incubate for 28 days or so. The poults imprint on the hen and are able to fly 8 days after hatching. Poults follow the hen (who shows little maternal care for older poults) until the following winter when they meet up with a group again, not necessarily the same group.
The mortality rate of eggs and poults is high, possibly because the hen leaves the eggs alone to forage and spend the night in trees. Hens will attempt to chase off preditors though.
4. The toms ignore the hens after mating and usually travel with their sibling toms and exhibit pecking order dominance.
5. Turkeys do fly and they roost in trees at night. They are fond of hemlocks if given a choice.
So I have learned a bit about my turkeys and I have no idea if I will see them again. I suspect I will. Our oak woodland is their preferred habitat and my compost pile in the woodland has been attractive to them. I'll keep you posted (no pun intended).
Wednesday, February 27, 2008
A day of garden planning!
The weather on Long Island had been predictably rotten; first snow then rain and then back to snow flurries. What's a gardener to do? Plan for next year's garden, of course. I have one area in my garden that gets a good amount of sun - a premium for me among my oak woodland. It's also very wet. Last year I planted Mme. Theresa Hydrangeas in front of some cast off hydrangeas from a client's garden in hopes of absorbing some of the water. I had a corner spot in that space that was potentially experimental. I had just finished a thesis on a Victorian garden writer Jane Loudon and was caught up in elephant ears, cannas and hibiscus; so naturally I planted a few. Come November, the cannas and elephant ears needed lifting and storing. (I think the cannas were of the Humbolt strain and the elephant ears of straight species Colocasia esculenta. The elephant ears easily out grew their stated 36"/3 foot expected limit. Hey, they were happy!) Today I checked on their status in my unheated basement. They looked fine. I've posted some pictures of first, the lifted corms - how beautiful and colorful (cannas in the background). The final pic is of the colocasia today in my basement, packed in moss. Now I know that my three crates of tubers and corms are viable, I can plan an even more over the top tropical garden for this year.
I am still having trouble inserting pics within the blog - any help out there?
Monday, February 25, 2008
Here's the disappointment:
I wrote earlier that February is the month to get a taste of spring and then be disappointed because it never lasts. February has been proven true to form....again. In my last post I wrote of my lovely visit to Planting Fields Arboretum last Thursday. Here is a picture of Friday morning! What a difference a day makes.
Actually I needed this winter blast. I gave into the grey cold, changed my plans, and pulled my chair up to the window for a full day fantasia of snow. Quietly and inward and peaceful....and very thankful for heat.
In my own Backyard: Planting Fields Arboretum, Oyster Bay, New York
Last week David Perry at "A Photographer's Garden" (see sidebar) posted pictures from a guest photographer, Willow, of the Camellia House at Planting Fields Arboretum. Planting Fields is an old haunt of mine. During my horticulture student days it was a one-stop laboratory of cultivated and native plants. At that time I was more interested in the care and culture of the individual plants and not the overall design of the plantings and park. So I was more than happy to spend an afternoon at Planting Fields revisiting the house and garden with my new eyes as an historian and designer rather than as just a grower of plants. I'll share with you a few interesting nuggets from my recent visit. First - the teaser shot... the main greenhouse, first built in 1914 and expanded after 1918 by James Frederick Dawson of the Olmsted Brothers firm. More on that later.
Historical synopsis: William Coe bought an extant house, designed by Grosvenor Atterbury with 460 acres of land in 1914. Guy Lowell designed the greenhouses and Andrew Robeson Sargent (son of Charles Springer Sargent) laid out the initial landscape for the Coes. The House burned down in 1918, the same year that Sargent died. William Coe hired Walker and Gillette to design a new Tudor Style country house and the Olmsted Brothers, James Fredrick Dawson, lead designer, to ammend the grounds, transforming it into an unmistakable Olmsted work.
Here's one facet of the property that I expored during my visit that, in my opinion, reflects the brilliance of the Olmsted view. Follow the progressive changes in the landscape from the distance view of the Beech Copse to a more intimate experience of beech trees. (sorry folks, Blogger is not cooperating with the photo progression). Dawson draws the line from the specimen weeping tree, a linden I believe, to the beech copse in the distance. I was compelled to follow the line to the copse and finally stand surrounded by beeches. From the copse I walked around the perimeter of the lawn through dwarf conifer gardens and a holly walk. Just lovely. I did finally walk back to the camellia house for my annual visit. The camellias were only about a quarter in bloom so I may have to go back next week - rough!
Tuesday, February 19, 2008
Jasmine and Snow Drops
February on Long Island is a confusing month. Sixty degrees (F) one day and snow the next. It sets up a whole cycle of hope and then, disappointment. It's not spring but then again, the plant world is stirring and swelling. The first of the snow drops emerged and my winter jasmine is beginning to bloom. Wonderful!!!
For a better picture of snow drops, I direct you to David Perry's garden blog (see link on sidebar). David has a sublime photo blog that is a treat to browse. Thanks Kathy at Cold Climate Gardening for introducing us to David a few months ago.
Monday, February 18, 2008
Can Spring be far behind?
I missed February bloom day - again. Here is what I would have included had I been on time. I planted this Witch Hazel about ten years ago at my church, the Unitarian Universalist Fellowship of Huntington (NY). I'll admit that I planted it for myself and hoped that someone would notice its annual February display. Most do not. No matter. Witch hazels along with winter jasmine are my spring markers. Subtle. You have to go looking for them snow or rain.
Next come the hellebores. More pictures soon.
Wednesday, February 06, 2008
A Quiet Winter.....
Sorry folks, the blog still remains at the bottom of the "to do" list.
None the less, it has been a quiet winter punctuated by several trips and visits with old friends. I was jolted out of the usual winter slumber yesterday by a seminar held annually by Atlantic Nurseries, a specialty wholesale nursery on Long Island NY. I have been attending these seminars each winter for almost two decades. They are a chance to see your old friends in the professional horticultural world and learn a thing or two in the process. Also, they were always my wake-up call to start planning the spring season for my design/build business. I am mostly retired now with only a few projects on the horizon but I still felt the juice in the room - spring is nearly here.
The topic of this year's seminar was "Creating Great Gardens" with noted writer/designers Suzy Bales and Tracy DiSabato-Aust as speakers. I want to single out Tracy's newly re-released book "The Well-Tended Perennial Garden: Planting & Pruning Techiques" for special mention. I have been pruning perennials professionally (nice alliteration, ha!) for twenty years and I truly did not expect to learn much. How wrong. Tracy introduce a technique called premptive pruning - pruning to delay or extend bloom time (so that bank of asters would bloom after your client returned from their annual vacation instead of during...every year!) I would have liked to have had that tip articulated so well years ago. Get the book!
Suzy also has a new book out: The Garden in Winter: Plant for Beauty and interest in the quiet season. I have not read it yet but the pictures, as always, are beautiful. Her talk at the seminar was pulled from her 2004 book: Down-to-earth Gardener: Let Nature Guide you to Success in your Garden. I have not read that one yet but Suzy used photos from the book for her talk - beautiful and exhuberent!
It's grey and rainy today but after the seminar yesterday it's o.k. I'm juiced too! Spring is coming.
Sorry folks, the blog still remains at the bottom of the "to do" list.
None the less, it has been a quiet winter punctuated by several trips and visits with old friends. I was jolted out of the usual winter slumber yesterday by a seminar held annually by Atlantic Nurseries, a specialty wholesale nursery on Long Island NY. I have been attending these seminars each winter for almost two decades. They are a chance to see your old friends in the professional horticultural world and learn a thing or two in the process. Also, they were always my wake-up call to start planning the spring season for my design/build business. I am mostly retired now with only a few projects on the horizon but I still felt the juice in the room - spring is nearly here.
The topic of this year's seminar was "Creating Great Gardens" with noted writer/designers Suzy Bales and Tracy DiSabato-Aust as speakers. I want to single out Tracy's newly re-released book "The Well-Tended Perennial Garden: Planting & Pruning Techiques" for special mention. I have been pruning perennials professionally (nice alliteration, ha!) for twenty years and I truly did not expect to learn much. How wrong. Tracy introduce a technique called premptive pruning - pruning to delay or extend bloom time (so that bank of asters would bloom after your client returned from their annual vacation instead of during...every year!) I would have liked to have had that tip articulated so well years ago. Get the book!
Suzy also has a new book out: The Garden in Winter: Plant for Beauty and interest in the quiet season. I have not read it yet but the pictures, as always, are beautiful. Her talk at the seminar was pulled from her 2004 book: Down-to-earth Gardener: Let Nature Guide you to Success in your Garden. I have not read that one yet but Suzy used photos from the book for her talk - beautiful and exhuberent!
It's grey and rainy today but after the seminar yesterday it's o.k. I'm juiced too! Spring is coming.
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